La Traviata / ViolettaLa Traviata, Opéra de Tours, 2015
Arabella
Arabella, Oper Dortmund, 2017
Natascha Rostova
War and Peace, Nuremberg, 2018
Soprano Eleonore Marguerre will be starring on several European stages in 2019 / 20 – amongst others as Massenet’s “Manon” Natasha”, als “Violetta” in “La Traviata” in Düsseldof, in 2020 she will sing Gertrud in Zemlinsky’s “Traumgörge”. The last season has seen her as “Natasha” in Prokofiev’s “War and Peace” Nuremberg, as “Rosalinde” in the “Bat” at Opera de Lausanne and in the world premiere of “Frankenstein” as “Elizabeth” at Thêâtre la Monnaie in Bruxelles with La Fura dels Baus….
Aktuelles
Arabella at Staatstheater Wiesbaden, April 18th
Surprise, surprise…on short notice I sang beloved “Arabella” again in the direction of Uwe-Eric Laufenberg.. It was VERY exciting and beautiful and a great pleasure to be on stage with chief conductor Patrick Lange and the amazing Mandryka ofThomas J. Mayer ..
Staatstheater Wiesbaden
New CD released. American Songs by Jon Pescevich
Centaur Record, 2018
Songs by Jon Pescevich after poems by Edgar Alan Poe and Emily Dickinson..
and if You want to have a try-out, You can listen to some extracts..
https://www.prestoclassical.co.uk/classical/products/8400867–at-the-edge-of-night
Zigeunerbaron am Grand Théâtre Genève vom 15.Dez bis 6.Jan 2018
Und erste Kritiken sind da..
“Eleonore Marguerre gibt uns mit runder und farbenreicher Stimme mit feinem Vibrato ein bemerkenswertes Portrai der Zigeunertochter Saffi. Sie nimmt ihren kraftvollen hohen Töne im decrescendo zu einem zarten pianissimo zurück und zeichnet ein nuanciertes Portrait der Figur. ” Olryx 17.12.2017
“Man wird erobert von Eleonore Marguerre als Saffi, die zweifellos aus der Besetzung heraussticht.” Tribune de Genève 16.12.2017
“Eleonore Marguerre ist eine bemerkenswerte Saffi mit warmer und runder Stimme, und wenn sie im 1. Akt ihr Lied anstimmt, fangen die Emotionen an zu fließen. ” Le Temps 17.12.2017
Premiere ist am 15. Dez 2017 am Grand Theatre Genf
Conductor Stefan Blunier
Director Christian Räth
Set & costumes Leslie Travers
Sándor Barinkay Jean-Pierre Furlan
Sáffi Eleonore Marguerre
Czipra Marie-Ange Todorovitch
Arsena Melody Louledjian
Comte Carnero Daniel Djambazian
Kálmán Zsupán Christophoros Stamboglis
Ottokar Loïc Félix
Comte Homonay Marc Mazuir
Mirabella Jeannette Fischer
Dec 15 – Jan 6 – Gipsy Baron / Baron Tzigane @Genève Opera
First reviews …
“Best was the Saffi of Eleonore Marguerre. Her voice has strength and musicality and she could have the potential to expand into heavier German roles.” Seen and Heard inter. 19/12/2017
“Eleonore Marguerre portrays a remarkable Saffi, with a colourful and round voice, with a lovely and delicate vibrato. She reduces powerful high notes to a filo di voce and delivers a subtle portrait of the character. “Olryx 17.12.2017
“Eleonore Marguerre is a remarkable Saffi with a round and warm voice and with her aria in the first act the evening starts to finally get emotional.“Le Temps 17.12.2017
“Eleonore Marguerre als Saffi nimmt uns ein und sticht aus der Besetzung zweifellos heraus.” Tribune de Genève 16.12.2017
Premiere Day on Dec 15h 2017 at Grand Theatre Geneva
Conductor Stefan Blunier
Director Christian Räth
Set & costumes Leslie Travers
Sándor Barinkay Jean-Pierre Furlan
Sáffi Eleonore Marguerre
Czipra Marie-Ange Todorovitch
Arsena Melody Louledjian
Comte Carnero Daniel Djambazian
Kálmán Zsupán Christophoros Stamboglis
Ottokar Loïc Félix
Comte Homonay Marc Mazuir
Mirabella Jeannette Fischer
Podcast Listeners !
If You want to get my personal 13 min introduction in english to the story of the Gipsy Baron I am happy to invite You to listen to my podcast – click here
And for all french-speaking visitors the artistic head of Genève Opéra Daniel Dollé offers an introduction to Gipsy Baron –
Premiere of Arabella @Oper Dortmund
The premiere went really well and the critics are more than pleasing..
Deutschlandfunk (Podcast) 24.9.2017 “A young woman, singing and acting perfectly..”
Der neue Merker Vienna, October “Eleonore Marguerre in the huge lead role is fantastic. Young and full of life she manages to portrait the young woman Arabella – not an elder Diva. Without any sign of tiredness she sings the chromatic parts, the fast parlando, hit well also the low notes and showed great legato lines in the thoughtful solo scenes and held a fantastic High B at the end of the Opera “Nimm mich wie ich bin” – the audience was visibly pleased, someone even hummed the famous “Aber der Richtige”..”
Ruhrbarone 25.9.2017 “It’s the evening of Eleonore Marguerre. Her velvetlike, round soprano fills up the audience with sound.”
Westfalenpost 25.9.2017 “Arabella could be a russian oligarchian princess, bored, spoiled and unsatisfied. The soprano manages her huge part with beaming, effortless high notes and a voluptuous middle register.”
Theater Dortmund
Opernhaus
Premiere 24.9.2017
Arabella
Musikalische Leitung Gabriel
Feltz Regie Jens-Daniel Herzog
Bühne Mathis Neidhardt Kostüme
Sibylle Gädeke Chor Manuel Pujol
Dramaturgie
Georg Holzer
Graf Waldner: Morgan Moody
Adelaide: Almerija Delic
Arabella: Eleonore Marguerre
Zdenka: Ashley Thouret
Mandryka: Sangmin Lee
Matteo: Thomas Paul
Graf Elemer: Alexander Sprague
Graf Dominik: Marvin Zobel
Graf Lamoral: Luke Stoker
Fiakermilli: Jeannette Wernecke
Eine Kartenaufschlägerin: Julia Amos
Drei Spieler: Geronti Cernysev, David Cheong, Youngbin Park
Welko, Leibhusar des Mandryka: Mario Ahlborn
Jankel, Diener des Mandryka: Georg Kirketerp
Ein Zimmerkellner: Johannes Knecht
Mit dem: Opernchor des Theater Dortmund
Mit den: Dortmunder Philharmonikern